Nives Onori and Raphael Rossé seem to hover between hope and disillusionment when they sing about a dreamlike state in Pyramid Garden: «’cause sometimes I see you coming over the hills, through the pyramid garden, with the intention to sit down next to me, and sometimes I feel you in my dreams.» This «Pyramid Garden» was planted on seemingly ever-changing ground: Was there a piano? Was that a human voice or a synth? Who is speaking? Who is singing? «Is it you or is it me?»